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May 5, 1997

Rock 'n' Roll and the Ramones


Chad Duerksen
H
ey ho, let's go.

When the Ramones performed their final concert on August 6, 1996, they left the wild world of rock 'n' roll for good. They left behind a 20-year legacy of a few ups, mostly downs and a legion of followers who recognize the band for what it had become: simply, one of the most influential rock bands of the last 25 years.

Not bad for four outcasts from Forest Hills, a middle-class suburb of Queens, New York, whose boyish influences ranged from The Beach Boys to WWII movies, from Murray the K to cruising for chicks, from Alice Cooper to the Beatles. Even their signature chant of "Gabba Gabba Hey" was a variation on the opening line from Tod Browning's 1932 horror film Freaks.

Never mind that the Ramones never had a number one hit; they barely even charted with most of their albums. They played the "world's greatest rock band" in the 1980 B-film Rock n' Roll High School (the producer's choice was between them and Cheap Trick). But somehow, through mishandled bookings and sloppy public relations hype, they never hit the big time.

But they can say, however, that they were the first to introduce "punk" rock music to a wide audience. (In their day, it wasn't even called "punk" rock; that moniker was added later. It was simply just plain old-fashioned rock n' roll.)

The group formed in 1974, and their self-titled debut album was released two years later, a full year ahead of the Sex Pistols popular Never Mind the Bullocks album. The Ramones, playing in their early years at the popular New York club CBGB's, gained a cult following, who returned week after week to see the band's energized "20 songs-in-40 minutes" concerts.

At a time when bands like Led Zeppelin and The Who relished in lengthy songs with extended solos, the Ramones kept it short. Their lyrics weren't pretentious or spiritualistic - they were about having fun, mental cases, doing drugs and getting girlfriends. Some were appalled at the songs' subject matter ("Beat on the brat with a baseball bat," "The KKK took my baby away"), but those people just didn't get it; they tried to take it seriously when it was never meant to be.

Modern alternative music owes almost everything to the Ramones. Look at Green Day. Or Bad Religion. Or Rancid. The Ramones made the fast, driving three-chord song their own. Classics like Blitzkrieg Bop, Psycho Therapy, Rockaway Beach and Sheena is a Punk Rocker, commencing with their trademark "1-2-3-4" count off, sum up everything the band had to say in around eight short minutes.

At least the Ramones had the opportunity to call it quits on their own. There have been too many good bands that broke up when an integral member lost his or her life: Rock 'n' roll, of late, has seen better days. The heavy sound of alternative has momentarily taken over, with its over-distorted guitars (more than likely to cover up for the guitarists' lack of talent) and whiny-voiced singers who believe that everyone, including themselves, is a loser.

Few bands still play the same rock music I grew up on. Bob Seger still does it. So do The Rolling Stones (and we all know by now that they will, I guess, never die). KISS. AC/DC. Maybe even Cheap Trick. But that's about it.

Other classic rockers, like Aerosmith, have simply conformed to the "popular" sound at the sacrifice of quality. In fact, if you ask most people about most bands, the general reply goes something like this: "They used to be good" or "Oh, yeah, I like their older stuff."

But a resurgence of reunion tours - the likes of Black Sabbath, The Who, KISS, Small Faces and Motley Crue - sheds some light on the end of the musical tunnel. Like all fads, the musical cycle is ongoing, and what was once popular and forgotten will more than likely be popular again.

As for the Ramones, they leave behind a growing string of followers that grows larger by the day. Recently, lead singer Joey Ramone said that the band will not jump on the bandwagon and stage a reunion some years down the line. With that, I bid them a final farewell, and thank them for all the fun and energetic music they produced over the years. But I'll wager, after following the band's tumultuous course for nearly half its lifespan, that a reunion is not entirely unlikely.

Because, according to songwriter David White's classic tune, "Rock n' roll is here to stay."

And rock never retires.

Chad Duerksen is a senior film major.



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